Hey gang,
Just added a new event to my appearance schedule...the Comikaze Expo, which is going to be held the weekend of November 5th and 6th at the L.A. Convention Center.
Stan (The Man) Lee's going to be in the house, along with a whole bunch of movie and TV stars, not to mention some top flight comic artists and writers.
I've been commissioned to create this promotional poster for the event (see below) which I believe will be given out to certain VIP ticket holders and available for purchase for others (but I'll update that as more info becomes available). But either way, there will be only limited quantities of the design available, so make sure to bring your copy by my table in artist alley to have me autograph and personalize it for you!
I look forward to meeting all my friends from the west coast! For more information or tickets, see: http://www.comikazeexpo.com/
RJ Luedke
http://www.bobtheartist.com/
Showing posts with label comic books. Show all posts
Showing posts with label comic books. Show all posts
Tuesday, October 25, 2011
Sunday, July 17, 2011
Odds and Ends...
Hey gang,
Just wanted to share a couple things that have been going on in my world here in the last couple weeks.
A. After naming the Eye Witness Slipcase collection the top graphic novel for 2010, Family Fiction Magazine has recently published a Q & A with me. If you've always wanted to understand a bit more about what makes me tick, check it out.
B. It was just brought to my attention, that Eye Witness: Unknown God....was named a finalist for the 2011 Indie Book Awards (in the category of Novella's). Unknown God has already been a Winner in the category of graphic novels in the 2010 Best Book Awards, sponsored by USABooknews.com and the Eye Witness series, as a whole, has now captured 5 indy book awards and been named a finalist for 6 others!
C. I've been very busy creating an eclectic collection of character prints that I'm selling like crazy at my con appearances. They are also available for purchase on the ever growing BobTheArtist website.
I look forward to seeing all my west coast fans and a lot of old friends at next week's Comic Con International, in San Diego and then next month at the Wizard-Chicago Comic Con!
RJ Luedke
http://www.headpress.info/ & http://www.bobtheartist.com/
Just wanted to share a couple things that have been going on in my world here in the last couple weeks.
A. After naming the Eye Witness Slipcase collection the top graphic novel for 2010, Family Fiction Magazine has recently published a Q & A with me. If you've always wanted to understand a bit more about what makes me tick, check it out.
B. It was just brought to my attention, that Eye Witness: Unknown God....was named a finalist for the 2011 Indie Book Awards (in the category of Novella's). Unknown God has already been a Winner in the category of graphic novels in the 2010 Best Book Awards, sponsored by USABooknews.com and the Eye Witness series, as a whole, has now captured 5 indy book awards and been named a finalist for 6 others!
C. I've been very busy creating an eclectic collection of character prints that I'm selling like crazy at my con appearances. They are also available for purchase on the ever growing BobTheArtist website.
I look forward to seeing all my west coast fans and a lot of old friends at next week's Comic Con International, in San Diego and then next month at the Wizard-Chicago Comic Con!
RJ Luedke
http://www.headpress.info/ & http://www.bobtheartist.com/
Saturday, January 01, 2011
2011...the Year of Digital Publishing?
All the signs I am seeing points to 2011 being be the year digital distribution busts loose in the book and comic industry.
The foundation of that belief is based upon the number of companies releasing their own iPad type hardware this year...which was the "missing link" in the chain to mobile-digital comic reading. Amazon already has publicly stated their largest selling item is now the Kindle (outselling Harry Potter), so don't think for a minute that other companies are not taking notice (but of course that one's not yet geared for heavy illustrated product yet...but I'm sure will be in future models).
But I do not think it will spell the end of brick and mortal publishing, rather just a market adjustment on how product is made available to the public. I believe this is a very exciting time to be in publishing, as new outlets will mean that many more small, indy or self published creators will be able to get their product into the hands of potential readers...and for a fraction of the price it took to do a traditional print run, and without having to run the "distributor and/or retailer gauntlet" to reach the reading public.
In addition, I think this development will spawn a new type of potential reader...those who might never had, (or very rarely) ventured into a comic store...because they perceived it as unfriendly or too geeky (see Big-Bang-Theory). Now those reluctant readers can explore the wonderful world of comics and graphic novels in the privacy of their own iPads, without having to "out themselves"...so to speak.
Along those same lines, it's a huge advantage to those of us creating works with a spiritual foundation...since it allows people with a spiritual curiosity to explore without fear, ridicule or just having to explain to their comic reading peers why they might be buying a comic about God, Jesus etc...
----------------------------------------------------
Here a bit of info on the developing digital age:
From Andrew Smith and Brent Frankenhoff in the Comics Buyers Guide #1674: Comic sales in digital form sold an estimated $500,000 to $1 million in 2009. Estimates for 2010 are between $6-8 Million (an increase of a minimum of 600%...when print comic sales are predicted to only increase 1% over that same period). Now that's exciting!
Sales of all eBooks tripled in 2010 (from 2009) to over 100 million copies sold.
Both Marvel and DC announced price drops on their print comics late in 2010 (Marvel's was more wide spread across their line) and though neither have yet to admit it in the press, it's rumored that this step was taken only due to the extra revenue they've both taken in from the digital versions of their catalogs.
-----------------------------------------
From my perspective, we (Head Press Publishing) continue to explore new ways to make Eye Witness available to new potential readers each and every day.
In 2010, we dipped into the digital pool by making the revised edition of Eye Witness Book One our first digital offering through Comixology. Later in the year we added Drivethrucomics to our list of digital partners (as they premiered the digital version of Eye Witness: Acts of the Spirit). In addition, in the end of the year our books went live on the Google Books catalog...which is already led to sales and contacts from the amount of visibility the online giant provides.
In 2011, it looks like Graphicly.com will be adding the entire Eye Witness series to their online catalog and we're in the process of converting our books for viewing on Barnes and Noble's Color Nook (Reader) also.
As creators we must embrace these new outlets. Think of each one of them like a retail giant (like a Walmart) with customer reach in the thousands, if not tens or hundreds of thousands annually. And the good news is (excuse the pun) for most of us working in Christian based comics and graphic novels, that we can take our creations way past the niche markets they've been exposed to previously due to market bias (do to the Christian foundation of our works) or our lack of marketing capital...to virtually anywhere in the world where the technology and hardware exist to view them!
So 2011 looks like it has the potential to be a very good year for being a comic/graphic novel creator!
For any of you who haven't checked out Eye Witness yet, here's an opportunity to view one of the outlets we've added to our quiver of digital providers (Drivethrucomics) as well as to see what the series is all about with a FREE Eye Witness download.
R.J. Luedke
headpress.info
The foundation of that belief is based upon the number of companies releasing their own iPad type hardware this year...which was the "missing link" in the chain to mobile-digital comic reading. Amazon already has publicly stated their largest selling item is now the Kindle (outselling Harry Potter), so don't think for a minute that other companies are not taking notice (but of course that one's not yet geared for heavy illustrated product yet...but I'm sure will be in future models).
But I do not think it will spell the end of brick and mortal publishing, rather just a market adjustment on how product is made available to the public. I believe this is a very exciting time to be in publishing, as new outlets will mean that many more small, indy or self published creators will be able to get their product into the hands of potential readers...and for a fraction of the price it took to do a traditional print run, and without having to run the "distributor and/or retailer gauntlet" to reach the reading public.
In addition, I think this development will spawn a new type of potential reader...those who might never had, (or very rarely) ventured into a comic store...because they perceived it as unfriendly or too geeky (see Big-Bang-Theory). Now those reluctant readers can explore the wonderful world of comics and graphic novels in the privacy of their own iPads, without having to "out themselves"...so to speak.
Along those same lines, it's a huge advantage to those of us creating works with a spiritual foundation...since it allows people with a spiritual curiosity to explore without fear, ridicule or just having to explain to their comic reading peers why they might be buying a comic about God, Jesus etc...
----------------------------------------------------
Here a bit of info on the developing digital age:
From Andrew Smith and Brent Frankenhoff in the Comics Buyers Guide #1674: Comic sales in digital form sold an estimated $500,000 to $1 million in 2009. Estimates for 2010 are between $6-8 Million (an increase of a minimum of 600%...when print comic sales are predicted to only increase 1% over that same period). Now that's exciting!
Sales of all eBooks tripled in 2010 (from 2009) to over 100 million copies sold.
Both Marvel and DC announced price drops on their print comics late in 2010 (Marvel's was more wide spread across their line) and though neither have yet to admit it in the press, it's rumored that this step was taken only due to the extra revenue they've both taken in from the digital versions of their catalogs.
-----------------------------------------
From my perspective, we (Head Press Publishing) continue to explore new ways to make Eye Witness available to new potential readers each and every day.
In 2010, we dipped into the digital pool by making the revised edition of Eye Witness Book One our first digital offering through Comixology. Later in the year we added Drivethrucomics to our list of digital partners (as they premiered the digital version of Eye Witness: Acts of the Spirit). In addition, in the end of the year our books went live on the Google Books catalog...which is already led to sales and contacts from the amount of visibility the online giant provides.
In 2011, it looks like Graphicly.com will be adding the entire Eye Witness series to their online catalog and we're in the process of converting our books for viewing on Barnes and Noble's Color Nook (Reader) also.
As creators we must embrace these new outlets. Think of each one of them like a retail giant (like a Walmart) with customer reach in the thousands, if not tens or hundreds of thousands annually. And the good news is (excuse the pun) for most of us working in Christian based comics and graphic novels, that we can take our creations way past the niche markets they've been exposed to previously due to market bias (do to the Christian foundation of our works) or our lack of marketing capital...to virtually anywhere in the world where the technology and hardware exist to view them!
So 2011 looks like it has the potential to be a very good year for being a comic/graphic novel creator!
For any of you who haven't checked out Eye Witness yet, here's an opportunity to view one of the outlets we've added to our quiver of digital providers (Drivethrucomics) as well as to see what the series is all about with a FREE Eye Witness download.
R.J. Luedke
headpress.info
Thursday, September 02, 2010
Unknown God Tour Interview: Dallas Comic Con
Hey gang, just got wind of the YouTube posting of an interview I did for the website TheSpectralRealm.com at the 2010 Dallas Comic Con.
*Also, editor Eric Shirey just posted his review of the entire Eye Witness series.
The interview did by Eric ran in two parts (since I had to stop the interview in the middle to answer questions at my table). Enjoy!
Part One:
Part Two:
*Also, editor Eric Shirey just posted his review of the entire Eye Witness series.
The interview did by Eric ran in two parts (since I had to stop the interview in the middle to answer questions at my table). Enjoy!
Part One:
Part Two:
Monday, June 07, 2010
A Heroes Con Overview

Hey gang,The first stop in the Unknown God tour is now behind me.
I started the trip out on a dubious note by having my laptop die on me the first night on the road. But truth be told, it was a 10 year old Compaq who had served both me, my wife and my daughter faithfully...so I think you could say it just died of old age.
Our first stop, Heroes Con in Charlotte, was wonderful on a couple levels. First of all I got a chance to reacquaint with a lot of old friends in the comic industry (Brian Stelfreeze, Gary Fredrich and Bernard Chang to name a few). Secondly, I was pleasantly surprised by how many of my Facebook friends stopped by to say hello (and pick up a copy of Eye Witness).
The show was a bit slow on Friday and Sunday, but Saturday had a pretty strong turnout...as you can see from the pics I've included in this post.
This show is defined by it's old-school style in that it is a comic convention that actually still focuses on comics and comic creators. There was many, many talented creators and their indy creations on hand, but at shows like this...when I'm on my own...I just didn't get much of a chance to visit many tables. But I must say if you want to relish in all things comic related, I'd add this convention to your schedule next year!
Coming up next....Philadelphia Comic con
R. J. Luedke
Wednesday, June 02, 2010
Unknown God has Arrived!
Hey gang,
Advance cases of Eye Witness: Unknown God arrived last night at 8:30pm (nothing like cutting it close...thanks UPS for that ulcer).
So I'm off to Heroes Con this morning for the Unknown God World Premier! I'm at... AA737, so make sure to look me up if you're attending!
FYI...I give Josten's Printing a big thumbs up of the quality of their job, their customer service and the speed in which they worked (contact me if you need a referral).
Hope to see ya' all in Charlotte this weekend!
R.J. Luedke
www.headpress.info
Advance cases of Eye Witness: Unknown God arrived last night at 8:30pm (nothing like cutting it close...thanks UPS for that ulcer).
So I'm off to Heroes Con this morning for the Unknown God World Premier! I'm at... AA737, so make sure to look me up if you're attending!
FYI...I give Josten's Printing a big thumbs up of the quality of their job, their customer service and the speed in which they worked (contact me if you need a referral).
Hope to see ya' all in Charlotte this weekend!
R.J. Luedke
www.headpress.info
Friday, May 14, 2010
The Unkown God tour...2010.
Here is a listing of my scheduled appearances in support of the release of the fourth book in the Eye witness series...Unknown God!*
6/4-6 Heroes Convention/ Charlotte, NC
http://www.heroesonline.com/heroescon/
6/11-13 Philadelphia Comic Con/Philadelphia, PA
http://www.wizardworld.com/home-pa.html
6/30-7/3 Cornerstone Music Festival/Bushnell, IL.
http://www.cornerstonefestival.com/
7/14-17 Sonshine Festival/Willmar, MN.
http://www.sonshinefestival.com/
7/21-25 Creation Northwest/ Enumclaw, WA
http://www.creationfest.com/nw/
8/19-22 Chicago Comic Con/ Chicago, IL
http://www.wizardworld.com/home-ch.html
8/28-29 Dallas Comic Con/ DFW, TX
http://www.scifiexpo.com/DCC/dallascomiccon.html
9/18-19 Project Comiccon/St. Louis, MO.
http://projectcomiccon.com/
9/25-26 Nashville Comic Con/Nashville, TN
http://www.comiccitytn.com/
10/8-10 New York Comic Con/ NYC
http://www.newyorkcomiccon.com/
10/15-17 New England Comic Con/Boston, MA
http://www.wizardworld.com/home-newengland.html
10-29-31 Long Beach Comic Con/ Long Beach, CA
http://longbeachcomiccon.com/
11/6-7 Mid-Ohio Con/ Columbus, OH
http://midohiocon.blogspot.com/
11/12-14 Austin Comic Con/ Austin, TX
http://www.wizardworld.com/home-tx.html
12/3-5 Atlanta Comic Con/ Atlanta, GA
http://www.wizardworld.com/home-atlanta.html
If you are owner of a book or comic shop, or pastor/minister of a youth group in one of these regions and have an interest in having me come in and do a book signing, or sharing my testimonial about my mission with this series, by all means contact me through my website
During much of this tour, I will be driving and have some down time between events and would love to fill it by visiting your location.
* All events are subject to change and more will be added soon!
R.J. Luedke
http://www.headpress.info/
6/4-6 Heroes Convention/ Charlotte, NC
http://www.heroesonline.com/heroescon/
6/11-13 Philadelphia Comic Con/Philadelphia, PA
http://www.wizardworld.com/home-pa.html
6/30-7/3 Cornerstone Music Festival/Bushnell, IL.
http://www.cornerstonefestival.com/
7/14-17 Sonshine Festival/Willmar, MN.
http://www.sonshinefestival.com/
7/21-25 Creation Northwest/ Enumclaw, WA
http://www.creationfest.com/nw/
8/19-22 Chicago Comic Con/ Chicago, IL
http://www.wizardworld.com/home-ch.html
8/28-29 Dallas Comic Con/ DFW, TX
http://www.scifiexpo.com/DCC/dallascomiccon.html
9/18-19 Project Comiccon/St. Louis, MO.
http://projectcomiccon.com/
9/25-26 Nashville Comic Con/Nashville, TN
http://www.comiccitytn.com/
10/8-10 New York Comic Con/ NYC
http://www.newyorkcomiccon.com/
10/15-17 New England Comic Con/Boston, MA
http://www.wizardworld.com/home-newengland.html
10-29-31 Long Beach Comic Con/ Long Beach, CA
http://longbeachcomiccon.com/
11/6-7 Mid-Ohio Con/ Columbus, OH
http://midohiocon.blogspot.com/
11/12-14 Austin Comic Con/ Austin, TX
http://www.wizardworld.com/home-tx.html
12/3-5 Atlanta Comic Con/ Atlanta, GA
http://www.wizardworld.com/home-atlanta.html
If you are owner of a book or comic shop, or pastor/minister of a youth group in one of these regions and have an interest in having me come in and do a book signing, or sharing my testimonial about my mission with this series, by all means contact me through my website
During much of this tour, I will be driving and have some down time between events and would love to fill it by visiting your location.
* All events are subject to change and more will be added soon!
R.J. Luedke
http://www.headpress.info/
Friday, April 30, 2010
Unknown God----Preview Pages!
Get an advance peek at a sampling of pages from the upcoming Eye Witness: Unknown God, graphic novel.
This is the fourth and final book in the award-winning Eye Witness series. The book will available nationally in book and comic outlets in July 2010.
Click here for your preview!
Enjoy!
R.J. Luedke
This is the fourth and final book in the award-winning Eye Witness series. The book will available nationally in book and comic outlets in July 2010.
Click here for your preview!
Enjoy!
R.J. Luedke
Thursday, April 29, 2010
The Unknown God Lives!
I know I haven't been doing a very good job of regularly posting here at "Eye Witnessed", but I had been working my tail off for months to get the fourth book in the Eye Witness series...Unknown God...finished and ready for press.
But I'm happy to announce that the book has basically been completed and we are now in the final stages of editing and proofing. So now I have a bit more time to share what we have coming up over the rest of 2010. First things first.

UNKNOWN GOD COMETH
Unknown God is the final chapter of the Eye Witness series, which has been eight years in the making. People will ask me, "why has it taken so long between books (on average, 2 years)?" The answer is simple! Since I do most of the work involved in the books myself (writing, illustration, inking, coloring and production) there is no way I can rush the process on these books, that run from 96 to 120 pages each. The artwork for each book is what consumes about 14 months for each book and I'm pretty consistent that I can pencil or ink 1-2 pages each day I work. I just feel blessed that God has allowed me physically to complete this project, which took close to a decade of my life to complete.
The book is schedule to hit store shelves and websites in July 2010, but I'll start selling copies direct at my convention appearances begining in June (see upcoming post for my summer schedule).
CHANGE IN DISTRIBUTION TO COMIC SHOPS
Like a number of small and indy press publishers, we learned this spring that we have become a causualty of the more restrictive Diamond Distribution order thresholds. These new minimum order levels (established in 2009) have resulted in lots of wonderful indy comic titles to virtually disappear from many comic store shelves over night. Despite the fact that Diamond had filled orders for more than $10,000 of books in the Eye Witness series, it was not enough and now Head Press Publishing has formally severed our distribution with Diamond, ending a 15 year business relationship.
I'll put my prophet cap on for a moment here...when I owed a pair of comic shops back in the 90's, I became concerned when Diamond started signing exclusive deals with publishers (as a way to combat Marvel's move to self distribution at the time) because you could see it immediately started to put a strain on their competition. This trend continued, even after Marvel returned to their ranks, until almost all the major large to medium sized publishers had become exclusive publishers with Diamond.
Now, there is virtually no competition for Diamond and they are pretty much free to do whatever they like where distribution is concerned and we have situations like you see today... that they now determine what publishers and creators are made available to the retailers (hence the readers). And that's not right! I said it 15 years ago...as I sold my shops, because I didn't like how the business landscape for stores was changing....and I continue to say it today, as a publisher effected by their monopoly. Where's Teddy Rosevelt when you really need him?
But the good news? There are more ways to get your comic/gn novel fix then ever before!
Eye Witness is available to the general bookstrade through STL Distribution North America, which makes our books available through basically any book stores, (whether mainstream or Christian), big-box retailers who carry books and/or websites which sell books (including Amazon of course).
We have entered into a deal with Haven Distribution, which is catagorized as a restock distributor...in other words they do carry product/publishers that Diamond no longer carries, but they do not publisher or market a regular monthy order catalog. Retailers go to their site and see what they are stocking currently. So any comic retailer can now get they Eye Witness books from Haven!
And finally, we make all of our books avaible for direct wholesale purchase to the retail community through our website. To help overcome the additional work from ordering direct, we've even upped our wholesale discounts to put more money in the store owners pockets!
HIGH POWER ENDORSEMENT
I'm excited to announce that over the past few months I developed a friendship with comic legend, Brian Augustyn, and he has agreed to supply the forward for Unknown God! If you're not familiar with Brian's work, he has been involved as a writer and editor for some of the best crafted issues of: Batman, Superman, Wonderwoman, JLA, Flash and the X-Men.
More to come....
But I'm happy to announce that the book has basically been completed and we are now in the final stages of editing and proofing. So now I have a bit more time to share what we have coming up over the rest of 2010. First things first.

UNKNOWN GOD COMETH
Unknown God is the final chapter of the Eye Witness series, which has been eight years in the making. People will ask me, "why has it taken so long between books (on average, 2 years)?" The answer is simple! Since I do most of the work involved in the books myself (writing, illustration, inking, coloring and production) there is no way I can rush the process on these books, that run from 96 to 120 pages each. The artwork for each book is what consumes about 14 months for each book and I'm pretty consistent that I can pencil or ink 1-2 pages each day I work. I just feel blessed that God has allowed me physically to complete this project, which took close to a decade of my life to complete.
The book is schedule to hit store shelves and websites in July 2010, but I'll start selling copies direct at my convention appearances begining in June (see upcoming post for my summer schedule).
CHANGE IN DISTRIBUTION TO COMIC SHOPS
Like a number of small and indy press publishers, we learned this spring that we have become a causualty of the more restrictive Diamond Distribution order thresholds. These new minimum order levels (established in 2009) have resulted in lots of wonderful indy comic titles to virtually disappear from many comic store shelves over night. Despite the fact that Diamond had filled orders for more than $10,000 of books in the Eye Witness series, it was not enough and now Head Press Publishing has formally severed our distribution with Diamond, ending a 15 year business relationship.
I'll put my prophet cap on for a moment here...when I owed a pair of comic shops back in the 90's, I became concerned when Diamond started signing exclusive deals with publishers (as a way to combat Marvel's move to self distribution at the time) because you could see it immediately started to put a strain on their competition. This trend continued, even after Marvel returned to their ranks, until almost all the major large to medium sized publishers had become exclusive publishers with Diamond.
Now, there is virtually no competition for Diamond and they are pretty much free to do whatever they like where distribution is concerned and we have situations like you see today... that they now determine what publishers and creators are made available to the retailers (hence the readers). And that's not right! I said it 15 years ago...as I sold my shops, because I didn't like how the business landscape for stores was changing....and I continue to say it today, as a publisher effected by their monopoly. Where's Teddy Rosevelt when you really need him?
But the good news? There are more ways to get your comic/gn novel fix then ever before!
Eye Witness is available to the general bookstrade through STL Distribution North America, which makes our books available through basically any book stores, (whether mainstream or Christian), big-box retailers who carry books and/or websites which sell books (including Amazon of course).
We have entered into a deal with Haven Distribution, which is catagorized as a restock distributor...in other words they do carry product/publishers that Diamond no longer carries, but they do not publisher or market a regular monthy order catalog. Retailers go to their site and see what they are stocking currently. So any comic retailer can now get they Eye Witness books from Haven!
And finally, we make all of our books avaible for direct wholesale purchase to the retail community through our website. To help overcome the additional work from ordering direct, we've even upped our wholesale discounts to put more money in the store owners pockets!
HIGH POWER ENDORSEMENT
I'm excited to announce that over the past few months I developed a friendship with comic legend, Brian Augustyn, and he has agreed to supply the forward for Unknown God! If you're not familiar with Brian's work, he has been involved as a writer and editor for some of the best crafted issues of: Batman, Superman, Wonderwoman, JLA, Flash and the X-Men.
More to come....
Tuesday, December 22, 2009
Taking it to the Next Level
It's now official...
Literary agency and author management company, D.C. Jacobson, (DCJA),has just come on board to help represent my work and take it to the next level of exposure (so to speak).
According to DCJA president Don Jacobson, “We are very pleased to partner with Robert, who’s proven to be one of the preeminent Christian graphic novelists in the U.S. D.C. Jacobson & Associates is always looking to innovate, and we see in the rising popularity of graphic novels and manga an opportunity to bring faith-based perspectives to this often dark genre. Robert possesses a strong combination of both story-telling and artistic skills.”
Personally, I see this as a huge step toward making Eye Witness available to lovers of comics and graphic novels not only in this country, but internationally and I see a partnership with a company like DCJA as crucial in moving in that direction, as well as bringing some of my other faith-based projects to life. Granted I've did pretty well the the limited resources available to me, but to take Eye Witness to where I envision it going, a larger, better capitalized and connected publisher needs to get involved. One day I hope to see versions of Eye Witness circulating the globe as well as seeing it developed into a big-screen epic. For these type of things it's clear I need help from the pro's and with this partnership with DCJA, I now have that.
After completing the final book in the Eye Witness series this spring, I will undertake a nationwide promotional tour beginning in the summer of 2010 and then begin work on the Eye Witness omnibus edition…which will collect all the stories presented in all four of the volumes plus an additional 30 pages of unpublished material.
To date, the Eye Witness series has been awarded: A Silver Medal at the 2007 Independent Publisher Awards; best graphic novel at the 2007 Hollywood Book Festival; best graphic novel in the USA Book News, Best Books Award in 2009; and have been a finalist in the Foreword Magazine Book of the Year Awards, in both 2007 and 2009.
D.C. Jacobson & Associates is an innovative author management company specializing in literary representation for Christian communicators. The agency was founded by Don Jacobson, former owner of Multnomah Publishers, who published 1,000+ books including numerous bestsellers and award winners. DCJA engages in partnerships to produce and promote messages that renew church and redeem culture for Jesus Christ. To learn more about them, or to inquire about licensing Eye Witness, visit them at: http://www.dcjacobson.com/.”
Robert Luedke
http://www.headpress.info/
Literary agency and author management company, D.C. Jacobson, (DCJA),has just come on board to help represent my work and take it to the next level of exposure (so to speak).
According to DCJA president Don Jacobson, “We are very pleased to partner with Robert, who’s proven to be one of the preeminent Christian graphic novelists in the U.S. D.C. Jacobson & Associates is always looking to innovate, and we see in the rising popularity of graphic novels and manga an opportunity to bring faith-based perspectives to this often dark genre. Robert possesses a strong combination of both story-telling and artistic skills.”
Personally, I see this as a huge step toward making Eye Witness available to lovers of comics and graphic novels not only in this country, but internationally and I see a partnership with a company like DCJA as crucial in moving in that direction, as well as bringing some of my other faith-based projects to life. Granted I've did pretty well the the limited resources available to me, but to take Eye Witness to where I envision it going, a larger, better capitalized and connected publisher needs to get involved. One day I hope to see versions of Eye Witness circulating the globe as well as seeing it developed into a big-screen epic. For these type of things it's clear I need help from the pro's and with this partnership with DCJA, I now have that.
After completing the final book in the Eye Witness series this spring, I will undertake a nationwide promotional tour beginning in the summer of 2010 and then begin work on the Eye Witness omnibus edition…which will collect all the stories presented in all four of the volumes plus an additional 30 pages of unpublished material.
To date, the Eye Witness series has been awarded: A Silver Medal at the 2007 Independent Publisher Awards; best graphic novel at the 2007 Hollywood Book Festival; best graphic novel in the USA Book News, Best Books Award in 2009; and have been a finalist in the Foreword Magazine Book of the Year Awards, in both 2007 and 2009.
D.C. Jacobson & Associates is an innovative author management company specializing in literary representation for Christian communicators. The agency was founded by Don Jacobson, former owner of Multnomah Publishers, who published 1,000+ books including numerous bestsellers and award winners. DCJA engages in partnerships to produce and promote messages that renew church and redeem culture for Jesus Christ. To learn more about them, or to inquire about licensing Eye Witness, visit them at: http://www.dcjacobson.com/.”
Robert Luedke
http://www.headpress.info/
Saturday, November 14, 2009
Eye Witness Slide Show
Get a taste of a cross section of my artwork from all four books from the Eye Witness graphic novel series:
![]() |
| Make a Smilebox slideshow |
Thursday, October 29, 2009
Eye Witness Graphic Novels Come to iPhones
10/29/09
I'm very excited to announce that Eye Witness has now entered into a whole new method of distribution with its release in the Comixology iphone application.

To begin with, Comixology is the first place outside of our own website where comic and graphic novel fans can purchase the revised and remastered edition of Eye Witness: A Fictional Tale of Absolute Truth. This first graphic novel in the Eye Witness tetraology, is broken up into three parts for this app. Each part costs only 99 cents, so it's quite a bargain! The next chapter in the Eye Witness saga, (Acts of the Spirit) will be offered in a similar serialized format soon.
To purchase the Comixology app. for your iphone, visit the iphone app store. Once you have the Comixology app in place on your phone, you can search by Title, publisher (Head Press Publishing) or Genre (Christian), to purchase Eye Witness...or just go to the Eye Witness page on the Comixology website.
ABOUT COMIXOLOGY
Since 2007, through it's comiXology brand, Iconology, Inc. has been working to expose more people to the world of comics, through comiXology.com and related applications. We are uniquely situated to connect all parts of the comic book
industry: consumers, distributors, publishers and creators. ComiXology.com, comic book retailer tools, iPhone and Blackberry apps and digital comics are all connected through the comiXology platform.
Here's a quick tour of the Comixology application and how it will revolutionize the way you read comics and graphic novels:
R. J. Luedke
http://www.headpress.info/
I'm very excited to announce that Eye Witness has now entered into a whole new method of distribution with its release in the Comixology iphone application.

To begin with, Comixology is the first place outside of our own website where comic and graphic novel fans can purchase the revised and remastered edition of Eye Witness: A Fictional Tale of Absolute Truth. This first graphic novel in the Eye Witness tetraology, is broken up into three parts for this app. Each part costs only 99 cents, so it's quite a bargain! The next chapter in the Eye Witness saga, (Acts of the Spirit) will be offered in a similar serialized format soon.
To purchase the Comixology app. for your iphone, visit the iphone app store. Once you have the Comixology app in place on your phone, you can search by Title, publisher (Head Press Publishing) or Genre (Christian), to purchase Eye Witness...or just go to the Eye Witness page on the Comixology website.
ABOUT COMIXOLOGY
Since 2007, through it's comiXology brand, Iconology, Inc. has been working to expose more people to the world of comics, through comiXology.com and related applications. We are uniquely situated to connect all parts of the comic book
industry: consumers, distributors, publishers and creators. ComiXology.com, comic book retailer tools, iPhone and Blackberry apps and digital comics are all connected through the comiXology platform.Here's a quick tour of the Comixology application and how it will revolutionize the way you read comics and graphic novels:
R. J. Luedke
http://www.headpress.info/
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Sunday, August 02, 2009
Dallas Comic Con appearance
Hey gang, though I've basically sequestered myself away in my studio-cave this summer to complete illustrations on Eye Witness: Unknown God, I've decided to poke my head out into the light of day (at least for two days) and attend this month's Dallas Comic Con...since it's right here in my own back yard.
Here's the scoop:
Saturday August 15th (11a to 6p) and Sunday August 16th (12noon to 4p)
Richardson Civic Center
411 W. Arapaho Rd.
Richardson, TX

If you live in the DFW area stop by and say hi. You'll get a chance to not only get copies of all three of the Eye Witness graphic novels, but also a FREE signed poster and if you're so inclined...and opportunity to watch me ink pages from Unknown God.
Also there is quite a nice lineup of Comic (including: Paul Smith, Bill Sienkiewicz, Brandon Patterson, James O'Barr ) and TV/Movie guests (Including: Yancy Butler, Dean Stockwell, Rene Auberjonois) at this show, so bring the whole family!
See 'ya all there!
R.J. Luedke
Saturday, July 11, 2009
Working a Graphic Novel System
I have a lot of people who have asked me over the years why it takes so long for books in the Eye Witness series to be published, (about 24 months). The answer is quite simple...because I perform most of the work myself.
For those of you not familiar with the way larger comic/graphic novel publishing companies work, think of companies like Marvel and DC like an auto assembly line...where each person on the line has their job to do and does it in order. This creates a very efficient system if your goal is to publish books from concept to shelve as quickly as possible and is critical for juggling multiple sequential titles and keeping them on schedule.
Example: The writer writes an outline or fully developed script; that goes to the penciler, who does the pencil illustrations from the script; that goes to an inker (or for you fans of Kevin Smith...a tracer) who inks over the pencils; that goes to the colorist who takes the black and white line art and makes it pop in full color; that goes to the letterist, who now adds the dialog, narration, thought balloons and any special sound effects; that goes to the editor, (or multiple layers of editors) who does all the things editors do...who then may refer it back to any of the previous people in the chain to make corrections and/or additions; and then it goes to the printer. Granted this is just a basic outline of the structure and depending on what company you will work for, it will deviate...but you get the idea.
This kind of process guarantees that everyone in the chain can be working on something simultaneously to insure the book is produced in the most time efficient way possible.
Indy publishers, like myself, are more equated to the old world concept of "hand made automakers," where each car is meticulously worked on till it's totally constructed and another one is not started till the first one is completed. There are many reasons why this second type of system is used in publishing, but most I'd guess deal with either lack of production capital or just a desire to be a part of every facet of a book's production. For me, it's a little of both. But needless to say, I can only be working on one aspect of the book at a time before going on to the next.
Neither system is "the right" way to create comics or graphic novels, but they are just systems used to achieve a common goal and utilized based upon the needs and goals of the particular creators or publisher. Just like in the film industry there are "studio" pictures (with large budgets and hundreds if not thousands of people working on them) and there are "indy" films (which are the vision of one man...or a handful of dedicated professionals that are driven by their creative juices rather than a paycheck). Think about for a moment the number of people needed to produce a movie like Watchman, versed the number needed to produce a film like Juno or Good Will Hunting. Neither is the right way to make a movie (though I'm sure you'd get a lot of heated discussion on that point) but both are used based upon the size of the project, it's projected budget, it's level of financing and it's potential for box office.
Here's a outline of what it takes for me (time wise) to construct one of the Eye Witness graphic novels (of approximately 100 pages):
1. Construction of original draft of the script (developed from out outline)...1-2 months.
2. Illustrations (that is, the penciled and inked images...which in a 100 page book will number approximately 600 individual frames. During this process on many pages I will be revising the script based upon the space I am creating on the pages)...10-13 months
3. Coloring (assuming I'm doing all that work myself...done with Photoshop on my computer)...1-2 months.
4. Lettering (where I basically will do a third draft of the script....done with Illustrator)...1 month.
5. Editing and pre-press production (creation of the final cover, back cover and non-story related pages)...1 month
6. Advanced marketing of the book to distributors, retailers and the media...2 months
So as you can see in this breakdown, to get the books to the shelves of your local comic or book store (and in the warehouse of online retailers) takes anywhere from 16-20 months...and that's not counting any of the marketing and personal appearances that then take place once the book is released (which I've typically dedicated 6 months to)...and assuming I can keep to a regular full time production schedule with no disruptions due to personal or family reasons...which has never happened yet!
Could I speed up this process by bringing in people to help pencil, ink, color or letter the book? Absolutely! But this series for me is very personal...kind of my personal quest if you will...and though it is both physically and mentally taxing, I enjoy and prefer to stay on top of all areas of it's projection...a sentiment you will see quite often among indy film-makers also. This is my baby!
R. J. Luedke
http://www.headpress.info/
For those of you not familiar with the way larger comic/graphic novel publishing companies work, think of companies like Marvel and DC like an auto assembly line...where each person on the line has their job to do and does it in order. This creates a very efficient system if your goal is to publish books from concept to shelve as quickly as possible and is critical for juggling multiple sequential titles and keeping them on schedule.
Example: The writer writes an outline or fully developed script; that goes to the penciler, who does the pencil illustrations from the script; that goes to an inker (or for you fans of Kevin Smith...a tracer) who inks over the pencils; that goes to the colorist who takes the black and white line art and makes it pop in full color; that goes to the letterist, who now adds the dialog, narration, thought balloons and any special sound effects; that goes to the editor, (or multiple layers of editors) who does all the things editors do...who then may refer it back to any of the previous people in the chain to make corrections and/or additions; and then it goes to the printer. Granted this is just a basic outline of the structure and depending on what company you will work for, it will deviate...but you get the idea.
This kind of process guarantees that everyone in the chain can be working on something simultaneously to insure the book is produced in the most time efficient way possible.
Indy publishers, like myself, are more equated to the old world concept of "hand made automakers," where each car is meticulously worked on till it's totally constructed and another one is not started till the first one is completed. There are many reasons why this second type of system is used in publishing, but most I'd guess deal with either lack of production capital or just a desire to be a part of every facet of a book's production. For me, it's a little of both. But needless to say, I can only be working on one aspect of the book at a time before going on to the next.
Neither system is "the right" way to create comics or graphic novels, but they are just systems used to achieve a common goal and utilized based upon the needs and goals of the particular creators or publisher. Just like in the film industry there are "studio" pictures (with large budgets and hundreds if not thousands of people working on them) and there are "indy" films (which are the vision of one man...or a handful of dedicated professionals that are driven by their creative juices rather than a paycheck). Think about for a moment the number of people needed to produce a movie like Watchman, versed the number needed to produce a film like Juno or Good Will Hunting. Neither is the right way to make a movie (though I'm sure you'd get a lot of heated discussion on that point) but both are used based upon the size of the project, it's projected budget, it's level of financing and it's potential for box office.
Here's a outline of what it takes for me (time wise) to construct one of the Eye Witness graphic novels (of approximately 100 pages):
1. Construction of original draft of the script (developed from out outline)...1-2 months.
2. Illustrations (that is, the penciled and inked images...which in a 100 page book will number approximately 600 individual frames. During this process on many pages I will be revising the script based upon the space I am creating on the pages)...10-13 months
3. Coloring (assuming I'm doing all that work myself...done with Photoshop on my computer)...1-2 months.
4. Lettering (where I basically will do a third draft of the script....done with Illustrator)...1 month.
5. Editing and pre-press production (creation of the final cover, back cover and non-story related pages)...1 month
6. Advanced marketing of the book to distributors, retailers and the media...2 months
So as you can see in this breakdown, to get the books to the shelves of your local comic or book store (and in the warehouse of online retailers) takes anywhere from 16-20 months...and that's not counting any of the marketing and personal appearances that then take place once the book is released (which I've typically dedicated 6 months to)...and assuming I can keep to a regular full time production schedule with no disruptions due to personal or family reasons...which has never happened yet!
Could I speed up this process by bringing in people to help pencil, ink, color or letter the book? Absolutely! But this series for me is very personal...kind of my personal quest if you will...and though it is both physically and mentally taxing, I enjoy and prefer to stay on top of all areas of it's projection...a sentiment you will see quite often among indy film-makers also. This is my baby!
R. J. Luedke
http://www.headpress.info/
Friday, June 05, 2009
Advance Artwork for Eye Witness Book 4



Here's a taste of some of the advance artwork from the Eye Witness: Unknown God...the fourth and final chapter in the graphic novel series.
As I write this I am in the early stages of the illustration for the book, which will be somewhere in the area of 125 pages and is tentatively planned for a summer 2010 release.
The final piece is the color guide for what will eventually be the fully painted cover, (done by painter, David Rodriguez).
R. J. Luedke
Sunday, May 10, 2009
Digital Remastered Version of Eye Witness Now Available
Beginning on Sunday May 10th, we are going live with our first "digital only" offering...a fully remastered and revised edition of the first book in the award-winning Eye Witness series, A Fictional Tale of Absolute Truth.This is our first attempt at creating something specifically for digital distribution and since the original edition of the book was very experimental, production wise, I was dying to go back and remaster the colors, revise some of the narrative while cleaning up the editorial missteps.
Initially, the revised edition of Eye Witness Book One will be exclusively available through the Head Press Publishing website, at: http://www.headpress.info/order.html
...but also, we are currently having discussions to make it available through other select comic and Christian venues sometime in the near future (Stay tuned).
This is a huge step for us toward making Eye Witness available to more people, both inside and outside of North America. We've heard from numerous potential fans, who've read a very complementary review on the Internet, only to find the books weren't available to them locally in stores or through web retailers. Now, virtually anyone with a computer and PDF viewer can purchase and read the first book in the Eye Witness series at a very reasonable price.
The fourth and final book in the Eye Witness tetralogy, Eye Witness: Unknown God, is currently in
production and tentatively scheduled for a summer 2010 release.
This is a huge step for us toward making Eye Witness available to more people, both inside and outside of North America. We've heard from numerous potential fans, who've read a very complementary review on the Internet, only to find the books weren't available to them locally in stores or through web retailers. Now, virtually anyone with a computer and PDF viewer can purchase and read the first book in the Eye Witness series at a very reasonable price.
The fourth and final book in the Eye Witness tetralogy, Eye Witness: Unknown God, is currently in
production and tentatively scheduled for a summer 2010 release. R.J. Luedke
Monday, May 04, 2009
An Insiders View of Wolverine Origins

As someone who been puttering around the comics industry since 1989 and been following Wolverine since Uncanny X-Men #98, (circa 1975), I wanted to share my thoughts on the latest X-Men franchise movie, Origins: Wolverine.
I went into the theatre with a bit of trepidation due to the two disappointing reviews I read in the Dallas Morning News and the Houston Chronicle. The thing was, I really understood what the reviewers were bothered by and based upon the trailers I saw I could understand how what they thought could indeed be true (not enough character development, story paper thin and with little explanation, special effects lacking).
But I'm here to say that even though I walked into the theater looking for these flaws, I did not agree with them. Now that may be because I'm pretty versed on Wolverine's (and X-Men) history, but my daughter who watched it with me is not...and she had no problem following the storyline or making sense of the characters and their abilities.
Hugh Jackman's Wolverine was sufficiently agonized, gruff and when circumstances called for it...a bit sarcastic and funny. It wasn't necessary for him to carry most scenes because there were so many other interesting characters with very diverse personalities. This allowed Jackman to maintain Wolvies penchant for being a bit brooding and moody.

Liev Schreiber was sufficiently dark and blood thirsty for Sabertooth, though I would have liked to see someone with a more massive body style, ala the size of Sabertooth from the first X-Men movie. I thought his habit of falling back to charging someone on all fours, like a wild animal, was a nice touch to establish the feral nature of his character.
Ryan Reynolds was at his wise cracking best as Wade (Deadpool), reminiscent of his character in the Blade Trinity movie. The only problem was, there wasn't enough of him! (spoiler warning) I thought Wolvie's explanation of why he wasn't talking late in the movie was very clever, but I would have rather had them trade some witty repartee! (end spoiler warning).
Though I thought the scene with the Blob (played by: Kevin Durand) a bit gratuitous and out of pace with the rest of the movie, I still enjoyed it non the less because of the accurate way they portrayed the character and his abilities.
And last but not least, Gambit was a joy. Watching Taylor Kitsch (Friday night lights) playing him, I couldn't help but picture Johnny Depp in that role! But Kitsch did a good job illustrating gambits attitude and abilities (which never have translated well in print, in my opinion), even though they spent almost no time establishing his background. One of the strongest battle scenes of the movie involved the Gambit, Wolvie and Sabertooth in kind of a free for all.
The negatives?
I thought the prediction of Wolverine's pending memory loss was a bit hokey (what experience or data did Styker have to possibly make that kind of hypothesis)? Just dropping that whole line of dialog and letting it happen naturally would have had much better shock value, where as this way they telegraphed it from a country mile for the audience.
I am a purist where my comic book based movies are concerned. For decades comic book movies basically bombed for one simple reason. Hollywood refused to follow the successful character designs and story lines of the comics and chose to "hollywood-ize" them. With the release of the first X-Men movie, a trend began of not only some incredibly successful movies, but also some of the most loyal to the source material. These type of movies were now being created by directors and producers who were familiar and respected the source material and it showed in the quality and the bottom line. The characters as written have been loved for years (in some cased decades)...so don't mess with what works!
I read a quote by the director (Gavin Hood) for Wolverine, who said that the first writer working on the screenplay wrote a script till the point where he was unwilling to do any further revisions. (paraphrasing) "The difference between that movie and the one we made, was that I didn't want to make the comic book into a movie." He stated he had no problem if his vision differed from the history of the character, as long as it made "his movie" work better. (Spoiler warning) Thus you get things like Wolvie and Sabertooth being brothers and the powers of Deadpool (End Spoiler Warning).
And finally, I would have liked a bit more of Logan/James' formative years (you know, the story we've come to know as Wolverine: Origins...the comic mini-series). As it was you get about 3 minutes of it and then they move on.
But when it's all said and done, the story was very enjoyable. The action sequences with the exception of one were all very thrilling and easy to follow. Special effects...top notch. The movie does nothing to diminish this franchise, nor the career of Hugh Jackman and I'm already to watch it a second time just thinking about it...always a good sign.
I rate it a B+...but it could be too of intense for kids under 12.
R.J. Luedke
Friday, April 24, 2009
Free Graphic Novels on FREE COMIC BOOK DAY
Saturday May 2nd, is FREE COMIC BOOK DAY nationally...where comic shops, publishers and creators come together to give away comics at stores around the country. This is all done in an effort to help more young readers discover the joys of reading in general and reading comics in particular.Since I'm already scheduled to make an appearance the ComicPalooza Comic Festival in Houston on May 2nd and 3rd, I'm going to contribute to the spirit of the day, by giving out FREE signed copies of Eye Witness (Book 1): A Fictional Tale of Absolute Truth.
This is only going to be offered on Saturday and only while my supplies last (since I am limited by what I can haul to this event). So if you plan on attending, come find me first!
In additional I'll also have some FREE 2 x 3' Eye Witness promotional posters to give out to anyone who stops by my table the entire weekend.
RJ Luedke
http://www.headpress.info/
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Thursday, March 12, 2009
Rise of The Apostle Finalist for Nat'l Book Award
ForeWord Magazine, just announced that the third book in Robert James Luedke's, Eye Witness series...Rise of the Apostle....is a finalist in the catgory of Graphic Novels in the 2008 Book of the Year Awards.This is the second industry honor to come to Luedke's Rise of the Apostle...which has already won The 2008 National Best Book Award (for Graphic Novels), sponsored by USABookNews.com.
More than 1,400 books were entered in 61 categories for FOREWORD MAGAZINE'S annual book awards. These were narrowed to 668 finalists from 376 publishers. These books represent some of the best work coming from today's independent press community!
The winners will be determined by a panel of librarians and booksellers, selected from FOREWORD'S readership. Gold, Silver, and Bronze winners, as well as Editor's Choice Prizes for Fiction and Nonfiction will be announced at a special program at BookExpo America at the Javits Center in New York City on May 29, 2009. The winners of the two Editor's Choice Prizes will be awarded $1,500 each. The ceremony is open to all BEA attendees.
ForeWord's Book of the Year Awards program was designed to discover distinctive books across a number of genres. The list of finalists is searchable by category, publisher, title, and author.
About FOREWORD MAGAZINE:
ForeWord affects the choices of booksellers and librarians across the country who weekly advise millions what to read. Their typical publication reaches an audience of 20,000. Foreword also put the magazine in the hands of agents and editors at larger houses who are looking for leads to bring into their fold from the independent press sector. All told, readership is about 85% librarians, 12% bookstores, 3% publishing professionals…and of course, parents.
Other Finalists for the Graphic Novel catagory:
Cleburne by Justin Murphy (Rampart Press)
Good and Evil by Michael Pearl (No Greater Joy Ministries)
Gunnerkrigg by Tom Siddell (Archaia Studios)
No Girls Allowed by Susan Hughes (Kids Can Press)
1000 Years of Manga by Brigitte Koyana-Richard (Flammarion)
The Clockwork Girl by Sean O'Reilly & Kevin Hanna (Arcana Studios)
The Grand Inquisitor by John Zmirak (The Crossroad Publishing Co.)
The Spirit: A Pop-Up Graphic Novel by Will Eisner (Insight Editions)
Congratulations to all these wonderful creators for their nominations, as any these books are worthy of winning an award. We advise any fans of graphic novels, comics and manga to check out as many of these as you can!
Thursday, February 19, 2009
Are Christians Dumbing Down?
Hey gang....I just ran across a blog headline which grabbed my attention and I wanted to share and comment on it...since the site does not accept comments on it's posts.
Click sliceoflaodicea to read the original posting.
Addressing the part that got my attention (being someone who's championed the development of the spiritual based graphic novel), here's a taste...
Fast forward to 2009 and the rotting corpse of Western Christianity. This buffoonery is what now fills churches today—the entire idiotic scene inspired by a children’s cartoon of singing and dancing vegetables (which I assume refers to Veggie Tales). Infantalism rules, literacy is dead, and God-given intellects are dead, suffocated under years of video game playing, movie and television watching. Hard to believe that Christians used to produce books like “Bondage of the Will”, and translations of the Scriptures from the original languages. Today, pastors and church laity are reading “graphic novel” (comic book) versions of the Bible because they struggle to grasp anything beyond a one syllable word. Here are some of evangelicalism’s finest in action. Watch and weep.
Now, if you didn't visit the original posting, this commentary is mainly directed at a posted video showing a Christian congregation dancing, singing and worshiping in a way the author finds distastful and degrading. But for the purposes of my comment, I'm dealing with his/her misguided generalization about literature created for young people and/or the graphic novel.
This author seeks to make a point about the breakdown of sophisticated analitical thought and writing within the Western Christian culture by slamming things obviously not created to answer such demands by believers.
Raise your hand, if you think Veggie Tales was created to foster advance discourse on the tenants of Christianity among religious scholars! A Ridiculous question? Of course it is, but it's to make a point. Products like Veggie Tales and most literature (re: picture books) and video's aimed at children are not meant to teach advanced religious theory or complicated Christian Dogma, rather plant seeds of interest among children using forms and styles of entertainment that is prevelant among "our culture". Likewise with most Graphic Novels or Christian based comic books. DISCLAIMER: Before I go forward I will admit for the record, that in my Eye Witness series, I do attempt to dig a bit deeper and pair the Gospel as presented by the Biblical narrative with historical and cultureal data about the first century we now known, in an attempt to take the reader to the next level of interest...but will grant that is not the case with most product designed in this format of literature.
But I reject this author's base assumption that pastors and church laity are reading Graphic Novel adaptations of the Bible (and Christian based fiction) because they struggle to grasp the intrecacies of the Bible and anything beyond "one-syllable words."
First of all, I have yet to come across a publisher that is creating a graphic novel adaptation of the Bible, that is meant to replace the original prose form...that's not to say someone isn't working on one now and it will be a monumental undertaking...but for most of us following this course, I think it's a fair assumption to say that this form is meant to attract readers to the Bible narrative that wouldn't be reading it otherwise, or in other forms. With Eye Witness, I'm attempting to reach the skeptic or person that's uninterested in attending church or reading the Bible, but loves reading in the format of comic books, graphic novels and manga (which translates to comic books in Japan...but in general terms has come to represent the entire output of far eastern created works of that style). My goal is to attract that person through my use of dramatic graphic design and a fictional intermingling with the Biblical narrative to make the story come alive with a contemporary feel. The endgame is to get the attention of someone who wouldn't think twice about reading these stories otherwise and God Willing, to create a spark of interest that might lead them to their local church, teen ministry or even picking up the source material.
Once again, I'll make the assmumption that many of the titles being published today in this format, share a similar goal. Now is that a bad or good thing for "the Church Body"...especially when you consider the docuemented drop off that occurs among young people when they get to high school age? But could there be their churches out there using graphic novel adaptations in their sermons? If there are, I'd wager a guess they are a seeker church that is catering to a high school to college age attendee...and this is the way to get there attention.
Secondly to generalize that those who read Graphic Novels cannot grasp anything beyond a
one-syllable word, is this author basically showing their ignorance about the whole format. As anyone who's actually familiar with what's been produced in graphic novel or comic book form over the last 30 years can attest to, charagorizing the format as being simplicist or for those who struggle to read, is a blatent misnomer. Trust me, if you can grasp the involved prose of a Neil Gaiman (Sandman) or Alan Moore (Watchmen)....much of the Biblical narrative would prove to be a snap! Sure there are comics like those produced by Archie Comics and DC's animated line, that are rather simplistic, but than again they are targeting a 10 and under audience.
So what do we make of this uninformed rant? Not knowing the author, my guess would be they have a serious bone to pick with the western Christian Church and like a magician they seek to "pull things out of the proverbial hat" that will support their generalization that it has basically devolved into a chanting, dancing bunch of fools who have no foundation in advance learning or culture. Take a peek inside any Christian bookstore (or religious section of your local Borders) and you'll see their is an abundance of books being produced by contemporary authors every month, who seek to challenge the intellect as well as rouse the passion of the highly literate Christian reader.
Secondly, it's obvious the author has difficulty with the concept of OUTREACH and how it can be used effectively in our comminities. The Apostle Paul called upon us to discover our spirutal gifts and use them to advance the word among the people of the world. By his very actions, Paul demonstrated how we, as followers of Christ, we must be able to converse with "the world" in styles which they use...To the Jews, he was a jew, to the Greeks he became a Greek!
Using something like Veggie Tales, or Christian rock music, or the graphic novel, are all ways to speak to different segments of our culture (and/or age groups) that communicate in a way that they relate to and are attracted to. It surely doesn't mean that our message is deluted...but that it's just in a different language, metaphorically speaking! It's the same premise behind why we have four different Gospels, each written in a way to commuincate with a different aspect of the first century world.
R.J. Luedke
Award Winning Author/Illustrator
http://www.headpress.info/about.html
Click sliceoflaodicea to read the original posting.
Addressing the part that got my attention (being someone who's championed the development of the spiritual based graphic novel), here's a taste...
Fast forward to 2009 and the rotting corpse of Western Christianity. This buffoonery is what now fills churches today—the entire idiotic scene inspired by a children’s cartoon of singing and dancing vegetables (which I assume refers to Veggie Tales). Infantalism rules, literacy is dead, and God-given intellects are dead, suffocated under years of video game playing, movie and television watching. Hard to believe that Christians used to produce books like “Bondage of the Will”, and translations of the Scriptures from the original languages. Today, pastors and church laity are reading “graphic novel” (comic book) versions of the Bible because they struggle to grasp anything beyond a one syllable word. Here are some of evangelicalism’s finest in action. Watch and weep.
Now, if you didn't visit the original posting, this commentary is mainly directed at a posted video showing a Christian congregation dancing, singing and worshiping in a way the author finds distastful and degrading. But for the purposes of my comment, I'm dealing with his/her misguided generalization about literature created for young people and/or the graphic novel.
This author seeks to make a point about the breakdown of sophisticated analitical thought and writing within the Western Christian culture by slamming things obviously not created to answer such demands by believers.
But I reject this author's base assumption that pastors and church laity are reading Graphic Novel adaptations of the Bible (and Christian based fiction) because they struggle to grasp the intrecacies of the Bible and anything beyond "one-syllable words."
First of all, I have yet to come across a publisher that is creating a graphic novel adaptation of the Bible, that is meant to replace the original prose form...that's not to say someone isn't working on one now and it will be a monumental undertaking...but for most of us following this course, I think it's a fair assumption to say that this form is meant to attract readers to the Bible narrative that wouldn't be reading it otherwise, or in other forms. With Eye Witness, I'm attempting to reach the skeptic or person that's uninterested in attending church or reading the Bible, but loves reading in the format of comic books, graphic novels and manga (which translates to comic books in Japan...but in general terms has come to represent the entire output of far eastern created works of that style). My goal is to attract that person through my use of dramatic graphic design and a fictional intermingling with the Biblical narrative to make the story come alive with a contemporary feel. The endgame is to get the attention of someone who wouldn't think twice about reading these stories otherwise and God Willing, to create a spark of interest that might lead them to their local church, teen ministry or even picking up the source material.
Once again, I'll make the assmumption that many of the titles being published today in this format, share a similar goal. Now is that a bad or good thing for "the Church Body"...especially when you consider the docuemented drop off that occurs among young people when they get to high school age? But could there be their churches out there using graphic novel adaptations in their sermons? If there are, I'd wager a guess they are a seeker church that is catering to a high school to college age attendee...and this is the way to get there attention.
Secondly to generalize that those who read Graphic Novels cannot grasp anything beyond a
one-syllable word, is this author basically showing their ignorance about the whole format. As anyone who's actually familiar with what's been produced in graphic novel or comic book form over the last 30 years can attest to, charagorizing the format as being simplicist or for those who struggle to read, is a blatent misnomer. Trust me, if you can grasp the involved prose of a Neil Gaiman (Sandman) or Alan Moore (Watchmen)....much of the Biblical narrative would prove to be a snap! Sure there are comics like those produced by Archie Comics and DC's animated line, that are rather simplistic, but than again they are targeting a 10 and under audience.So what do we make of this uninformed rant? Not knowing the author, my guess would be they have a serious bone to pick with the western Christian Church and like a magician they seek to "pull things out of the proverbial hat" that will support their generalization that it has basically devolved into a chanting, dancing bunch of fools who have no foundation in advance learning or culture. Take a peek inside any Christian bookstore (or religious section of your local Borders) and you'll see their is an abundance of books being produced by contemporary authors every month, who seek to challenge the intellect as well as rouse the passion of the highly literate Christian reader.
Secondly, it's obvious the author has difficulty with the concept of OUTREACH and how it can be used effectively in our comminities. The Apostle Paul called upon us to discover our spirutal gifts and use them to advance the word among the people of the world. By his very actions, Paul demonstrated how we, as followers of Christ, we must be able to converse with "the world" in styles which they use...To the Jews, he was a jew, to the Greeks he became a Greek!
Using something like Veggie Tales, or Christian rock music, or the graphic novel, are all ways to speak to different segments of our culture (and/or age groups) that communicate in a way that they relate to and are attracted to. It surely doesn't mean that our message is deluted...but that it's just in a different language, metaphorically speaking! It's the same premise behind why we have four different Gospels, each written in a way to commuincate with a different aspect of the first century world.
R.J. Luedke
Award Winning Author/Illustrator
http://www.headpress.info/about.html
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